The Del McCoury Band

Del McCoury Band Even among the pantheon of music’s finest artists, ​Del McCoury stands alone​. From the nascent sound of bluegrass that charmed hardscrabble hillbilly honkytonks, rural schoolhouse stages, and the crowning glory of the Grand Ole Opry to the present-day culture-buzz of viral videos and digital streams, Del is the living link​. On primetime and late-night television talk shows, there is Del. From headlining sold-out concerts to music festivals of all genres, including one carrying his namesake, there is Del. Where audiences number in the tens of thousands, and admirers as diverse as country-rock icon Steve Earle and jamband royalty Phish count as two among hundreds, there is Del. Now helming the Del McCoury Band, with sons Ronnie and Rob, the ensemble did and continues to represent in a larger, growing musical community ​a peerless torchbearer for the entire sweep and scope of bluegrass history​. Those many years, not to mention a good-natured willingness to stay alert to the latest sounds and opportunities around him, earned McCoury a whole new generation of fans, including some in unlikely places. “I’m just doing what’s natural,” says Del. “When young musicians ask me what they should do I always tell them, ‘You do whatever’s inside of you. Do what you do best.’” No surprise that contemporary, bluegrass-bred stars sang his praises; marquee names like Vince Gill and Alison Krauss (who first met Del at a bluegrass festival when she subbed for his missing fiddler). Yet, here too was rocker Earle recording and touring with the group. Here was Phish jamming onstage with the boys. Here was the band on TV, or headlining rock clubs and college campuses; the can’t-miss appearances at country and jazz festivals. There was Del. “We don’t have a setlist,” says Del. “We try and work in the new songs, but a lot of times it’s just requests from the audience. It’s more interesting for the band, for me, and for the audience because nobody knows what’s coming next.” Almost unimaginable, McCoury’s sixth decade in a half-century of bluegrass bliss brings new triumphs, new collaborations, and new music. With but a single change in membership in twenty seven years The Del McCoury Band shows unprecedented stability as well as garnering the respect and admiration of the industry for its unmistakable work: nine IBMA Entertainer of the Year trophies; in 2003, Del’s awarded membership in the cast of the legendary Grand Ole Opry; the band’s first Best Bluegrass Album Grammy award, in ’05, followed by a second Grammy win in 2014, (not to mention double-digit nominations). “I know (having the same band) helped with my success. It keeps your sound constant,” says Del. “We really enjoy what we’re doing.” One listen and it’s clear as crystal. ​There is Del​.

Night Ranger

NIGHT RANGER Heavy hitting rock legends, Night Ranger recently released their 12th studio album, “ATBPO” (which stands for And The Band Played On), an ode to making music during the covid era.  The band began writing the album in early 2020, amid the rise of the global pandemic. After narrowing down the song selection and tightening them up to their well-known rock ‘n roll sound, the band hit the studio, although separately, due to the times we are in. Throughout ATBPO we hear Night Ranger continuing their hot streak that kicked off with 2011’s “Somewhere In California”. Ten years on, and two highly acclaimed albums later, “High Road” and “Don’t Let Up”, the band’s latest studio work shows them still burning with that high octane hard rock energy. Night Ranger has always had a knack for killer melodies, intricate instrumentation, and captivating lyrics; ATBPO delivers all of that and more.  Having sold over 17 Million albums worldwide, performed across more than4000 stages, and captivated a radio audience that exceeds 1 Billion, Night Ranger has both epitomized and transcended the arena rock sound and style well beyond that era. With multiple songs having a significant impact on popular culture, Night Ranger continue to grow their ever-evolving fan-base. The band is proof that powerful songs alongside, incredibly talented musicians is the perfect formula for continued success. Night Ranger have earned wide spread recognition that includes both multi-platinum and gold album status all while leaving their indelible mark on the music industry with along list of best-selling albums (Dawn Patrol, Midnight Madness, 7 Wishes, Big Life and Man In Motion). Their popularity is fueled by an impressive number of instantly recognizable hit singles and signature album tracks, including legendary titles such as “Sister Christian”, “Don’t Tell Me You Love Me”, “When You Close Your Eyes”, the an the mic” (You Can Still) Rock In America”, along with “Sentimental Street”, “Goodbye”, “Sing Me Away”, and “Four in the Morning”. Over the years, the band’s music has made notable contributions to and been featured in many different areas of global media and pop culture. Night Ranger was one of the first big “video” bands on MTV, with over ten #1 hit videos. Their songs can be heard in TV Shows like,The Unbreakable Kimmy Schmidt, American Dad, Glee, Grey’s Anatomy, Parks & Recreation. The band have also had music featured in video games such as,Rock Band,Guitar Hero and Grand Theft Auto, plus hit Broadway musicalRock of Ages, the Oscar-Nominated film Boogie Nights, and other feature films such as Friday the 13th, Teachers, Sixteen Candles, and The Secret of My Success. Most recently the band’s classic hit “Sister Christian” can be heard in a Dr. Pepper commercial. They can also be heard throughout JBL’s “Hear The Truth” brand campaign. Night Ranger is Jack Blades (bass, vocals), Kelly Keagy (drums, vocals), Brad Gillis (lead & rhythm guitars), Eric Levy (keyboards) and Keri Kelli (lead & rhythm guitars).  

Girl Named Tom

GIRL NAMED TOM – WINNER OF THE VOICESmall-town sibling trio Girl Named Tom seeks to create harmony in a world divided. With their distinctive harmonies and heartfelt performances, Bekah, Joshua and Caleb Liechty won the hearts of America while becoming the only group to ever win NBC’s “The Voice.” In addition to their chart-topping covers (“River,” “The Chain,” & “Dust in the Wind” among others), GNT writes original music that will almost certainly project them to becoming the best-known harmony trio of their generation. With their debut EP, “Another World,” Girl Named Tom sweeps the listener into reflective space, exploring fond memories, global issues, and intimate conversations. Audiences have been “…blown away by the musicality and harmonies, creativity, honesty, beauty. This sibling trio is stardust.” Crazy World exhibits “crystal clear lead vocals, driving (and unique) percussion, and after 3 minutes build up an amazing section of their 3 voices intermeshing together.” Based in the Midwest, Girl Named Tom performed all over the country during the band’s first year before the pandemic struck. Now, after winning The Voice, they cannot wait to hit the road and visit new fans!

Three Dog Night

Legendary band, THREE DOG NIGHT, now in its 5th decade, claims some of the most astonishing statistics in popular music. In the years 1969 through 1974, no other group achieved more top 10 hits, moved more records or sold more concert tickets than THREE DOG NIGHT. This Grammy-nominated band is not content resting on its legacy alone. Always working to expand its audience, THREE DOG NIGHT has embraced and been embraced by 21st century music technology. New and existing fans buy THREE DOG NIGHT’s music on iTunes as well as at record stores. In fact, releases from this decade alone have sold well over a million copies. THREE DOG NIGHT also pushed boundaries by recording with the London Symphony Orchestra, giving fans new and old a chance to experience its dynamic performances of the hits as well as several new songs. The project, recorded at the famous Abbey Road studios in London and released to coincide with the band’s 35th Anniversary, added exciting new orchestral arrangements to THREE DOG NIGHT’s signature sound. THREE DOG NIGHT maintains an aggressive, year-round touring schedule of over 90 dates a year, performing their hit filled concerts for generation-spanning audiences. The band’s now-famous name refers to native Australian hunters in the outback who huddled with their dogs for warmth on cold nights; the coldest being a “three dog night”. Boasting chart and sales records that are virtually unmatched in popular music, THREE DOG NIGHT had 21 consecutive Top 40 hits, including 3 #1 singles, 11 Top 10’s, 18 straight Top 20’s, 7 million-selling singles and 12 straight RIAA Certified Gold LPs. The hits appeared on best selling charts in all genres (pop, rock and country). Its records continue to sell around the world, reaching beyond the borders of the U.S. into Japan, Canada, Holland, England, Germany, Spain and elsewhere. Tens of millions of THREE DOG NIGHT records have been sold through the years. Created in 1968 by Danny Hutton, THREE DOG NIGHT recorded the music of the best (and mostly undiscovered) new songwriters of their time including Harry Nilsson, Randy Newman, Elton John, Laura Nyro, Paul Williams and Hoyt Axton among many others. The group’s eclectic taste, combined with their ability to recognize and record hits in a unique, distinctive and appealing style, resulted in THREE DOG NIGHT dominating the charts for years. Marking over 50 years on the road, THREE DOG NIGHT continues to grow its fan base by keeping up a full schedule of concerts at theatres, performing arts centers, fairs, festivals, corporate events, and casinos. Since 1986, the band has performed over 2,500 shows including two Super Bowls. THREE DOG NIGHT’s 21 Top 40 Hits: Mama Told Me (Not To Come) #1 Joy to The World #1Black And White #1Shambala Easy To Be Hard An Old Fashioned Love Song The Show Must Go OnOne Never Been To Spain LiarEli’s ComingThe Family Of Man Celebrate Out In The Country Sure As I’m Sittin’ HereLet Me Serenade YouOne Man BandPieces Of AprilTry A Little TendernessTil The World EndsPlay Something Sweet (Brickyard Blues) 

Roots & Boots 90’s Electric Throwdown: Aaron Tippin, Collin Raye & Sammy Kershaw

BACK BY OVERWHELMING DEMAND! A POWER HOUSE COUNTRY CONCERT YOU WON’T WANT TO MISS!  Renfro Valley is thrilled to welcome 3 of country music’s BIGGEST STARS to the New Barn Theatre!Aaron Tippin, Collin Raye, and Sammy Kershaw join forces to present:The Roots & Boots 90’s Electric Throwdown Tour!This will be an evening filled with stories and songs as they get back to the roots of their music.  Aaron, Collin, and Sammy have amassed almost 70 combined Top 40 hit singles.  Some of Aaron’s songs are “You’ve Got to Stand for Something,” “There Ain’t Nothin’ Wrong with the Radio,” and “Kiss This.”  Collin is known for “Love Me,” “In This Life,” and “That’s My Story.”  Sammy’s hits include “Queen of My Double Wide Trailer,” “She Don’t Know She’s Beautiful,” and “Third Rate Romance.”

Eli Young Band

ELI YOUNG BANDThe GRAMMY-nominated group’s latest single”Love Talking” builds upon recent release “Lucky For Me,” with both songs offering a preview of their forthcoming project planned for later this year. Since the band’s formation as college classmates 20 years ago, the Associated Press has celebrated EYB as “a smart, relevant antidote” to overdone clichés in Country music. The band has amassed 14 Billboard charting singles, including four No. 1 hits via 3x Platinum “Crazy Girl” and 2x Platinum “Even If It Breaks Your Heart” plus Platinum “Love Ain’t” and “Drunk Last Night,” while also earning an ACM Award for Song of the Year as well as multiple GRAMMY, CMA, CMT, ACA and Teen Choice Award nominations. The musical band of brothers – Mike Eli, James Young, Jon Jones and Chris Thompson – play their own instruments, write their own songs and cling fast to their Texas roots. While selling out venues from coast-to-coast as strong headliners, EYB has also shared the stage with Kenny Chesney, Rascal Flatts, Tim McGraw, Jason Aldean, Toby Keith, Chris Young, Darius Rucker and Dave Matthews Band.https://www.youtube.com/watch?v=S0fMzeo34sA&t=45s

Lorrie Morgan

One of the most eloquently emotive country vocalists of modern times is launching her first new solo album in five years. Lorrie Morgan, the first woman in her genre to begin her career with three consecutive Platinum albums, re-emerges on Shanachie Entertainment with Letting Go….Slow. It is a collection that showcases a rainbow of emotions, from darkest heartache to bright, shiny humor. “Where I am in my life right now, I’m not afraid to express what I feel, or what I don’t feel,” she comments about the collection’s varied moods. “I’m not afraid to express my views on anything, especially on being a woman. “I have been a daughter, a bride, a mother, a divorcee, a widow, a single mother, a breadwinner and, ultimately, a survivor. In many ways, I am a living, breathing country song, and I know what I sing. “I didn’t want this to be just another album. I wanted it to be something that really moved me. When I listened to songs for it, I’d think, ‘No, not that one. I’m not going to be able to sing that one, because I’m not going to be able to feel it.’ It was very important to me for this album to reflect the things that I am feeling today.” Lorrie Morgan has been around great songs all her life. She is a Nashville native who is the daughter of Country Music Hall of Fame member George Morgan. She made her debut on the Grand Ole Opry stage at age 13, singing “Paper Roses.” Her father died suddenly of a heart attack at age 51. She was l6 at the time and just beginning her musical career. Lorrie Morgan began making records shortly thereafter. She was honored with induction into the Opry cast when she was just 24. Morgan married fellow country singer Keith Whitley in 1986. She was signed to RCA Records in 1987, and her onslaught of hits began the following year. Whitley’s tragic death of an alcohol overdose in 1989 left her a widowed working mother. Their duet “Til a Tear Becomes a Rose” earned her a 1990 CMA award. Her first three albums, Leave the Light On (1989), Something in Red (1991) and Watch Me (1992), all earned Platinum Record awards. Her Greatest Hits collection (1999) is also Platinum. War Paint (1994), Greater Need (1996) and Shakin’ Things Up (1997) are all Gold Record winners. She sang “The Sad Cafe“ on Common Threads: Songs of the Eagles, which was named the CMA Album of the Year in 1994. Country fans voted Lorrie Morgan their TNN/Music City News Female Vocalist of the Year in 1994, 1996, 1997 and 1998. Lorrie Morgan maintained her recording pace in the new millennium, releasing collections in 2002, 2004, 2009 and 2010. In 2012 and 2013.

Mark Chesnutt With John Lovern & The Pearl Snaps

MARK CHESNUTTMark Chesnutt is one of Country’s true musical treasures. Chesnutt got his start in the honky-tonks of Beaumont, Texas, learning from his father, Bob Chesnutt, a singer, record collector and major fan of classic country music. Playing alongside his dad, Mark embraced his father’s influence one set at a time and to begin making a name for himself. In 1989, he was signed to MCA Nashville and his list of accolades tells the rest of his story. With the release of his first single“ Too Cold At Home,” Mark established himself as one of country’s most authentic and talented vocalists. His fans helped his records to climb the charts one right after the other making him one of Billboard’s Ten Most-Played Radio Artists of the ‘90’s. Mark’s singles were some the decade’s most memorable; from the fun tempo “Bubba Shot The Jukebox” to emotional ballad “I’ll Think Of Something.” Mark is easily identified for his string of hits including “Brother Jukebox,” “Blame It On Texas,” “Old Flames Have New Names,” “Old Country,” “It Sure Is Monday,” “Almost Goodbye,” “I Just Wanted You To Know,” “Going Through The Big D,” “It’s A Little Too Late,” “Gonna Get A Life,” and one of his biggest, “I Don’t Want To Miss A Thing;” a song that held its position at the top of the charts for four consecutive weeks.Don’t miss Mark Chesnutt, along with John Lovern & The Pearl Snaps **New Date – September 24th** in Renfro Valley!JOHN LOVERN & THE PEARL SNAPS

LONESTAR AND DEANA CARTER

LonestarNot every musician has the opportunity to revisit and even potentially improve upon their biggest hits. But on the forthcoming TEN to 1 record, the award-winning band Lonestar— Dean Sams (keyboards, acoustic guitar, background vocals), Michael Britt (lead guitarist, background vocals), Keech Rainwater (drums) and Drew Womack (lead vocals, guitar)—are taking a fresh look at all 10 of their chart-topping country songs.This streak started in 1996 with the band’s second single, the rock-edged “No News,” and continued with the following year’s “Come Cryin’ to Me” and “Everything’s Changed.” The band’s quadruple-platinum 1999 album Lonely Grill spawned four No. 1 hits (including the beloved global smash “Amazed”) and established Lonestar as music’s preeminent pop-country band—a status they’d maintain through the 2000s and beyond.With these re-recordings, the band members were mindful of striking a balance between preserving the sonic elements fans were familiar with—and not repeating them. Fittingly, TEN to 1 record reflects the ways Lonestar’s hits have evolved over the years during the band’s rousing, high-energy concerts. Such talent has contributed to the band winning many of music’s top honors, including Academy Of Country Music awards for New Vocal Group in 1996, Single and Song Of The Year in 2000, along with Humanitarian Of The Year in 2002. They also won Country Music Association’s Vocal Group of the Year and International Artist Achievement award in 2001. All told, Lonestar have sold more than 10.5 million records since their formation.With the release of TEN to 1 record, the band members are full of gratitude for what they’ve accomplished already, and excited about what the future holds. “It’s amazing that we’re still standing and putting on great shows after all these years,” Sams says. “The fans are still coming out to our shows night after night, to see us and hear our music. That’s almost 30 years of touring, and I can’t tell you how grateful I am—and I’ve never once taken it for granted.”Deana CarterDrenched in sun-kissed natural beauty both inside and out, Nashville native, Deana Carter, didn’t take a seemingly easy route to stardom, but instead chose to defy the conventional expectations of the typical Nashville artist blueprint and make her own mark. And she did, undeniably taking the industry and fans by storm with her wildly successful multi-platinum international debut “Did I Shave My Legs For This?” more two decades ago. Anchored by the dreamy super hit ”Strawberry Wine”, Carter showcased her own blend of country and retrorock sprinkled with the folksy singer/songwriter qualities that have garnered Deana Carter well-deserved respect and wild acclaim.

John Anderson With Rye Davis

JOHN ANDERSON (An evening with)Straight Tequila Night, the lead-off single from Seminole Wind, went to number one across the board on every country chart.  It was his first bona-fide chart-topper since Black Sheep in 1983.  When It Comes To You, the second single, reached number two, while Seminole Wind, the heartfelt title tune soared to number one when released later in 1992.  Jay Orr, a noted music writer for the Nashville Banner, was one of several critics to list Seminole Wind in a top-ten album round-up for 1992. Seminole Wind is a vivid personal statement which Anderson wrote after visiting his 95-year old grandmother, and after driving around Florida observing the drastic ecological changes that time and progress wrought on his native state.  Its accompanying video was shot at a cypress preserve in the Florida Everglades with assistance and participation of the region’s native Seminole Indians. Those of us who’ve followed the vicissitudes of Anderson’s recording career aren’t particularly surprised at his “rediscovery” in the wake of Seminole Wind.  This is, after all, the vocal genius who won the Country Music Association’s 1983 Horizon Award and helped lay the cornerstone for the late 1980’s neo-traditionalist boom with his aforementioned early ’80’s stone-country hits.  Those hits which showcased Anderson’s arresting, instantly recognizable vocal style; a provocative mixture of honky tonk fervor, rockabilly/outlaw gusto, sly, tongue-in-cheek humor, and just a hint of rock n’ roll swagger.  The Anderson we hear today is merely the new and slightly mellowed adult version of the stylistically headstrong, fiercely determined 17-year old who hit Nashville running in 1972.  He clawed his way up the ladder one rung at a time, from $5-a-night gigs in the honky tonk closets of lower Broadway and a day job tacking shingles on the new Grand Old Opry house at Opryland. John followed Seminole Wind with five more critically acclaimed albums, spawning hits like, Money In The Bank, I’ve Got It Made, I Wish I Could Have Been There, Let Go Of The Stone, Bend It ‘Til It Breaks, Mississippi Moon and Somebody Slap Me. John Anderson… a colorful character and truly a country music treasure!Rye Davis