Del McCoury Band Even among the pantheon of music’s finest artists, Del McCoury stands alone. From the nascent sound of bluegrass that charmed hardscrabble hillbilly honkytonks, rural schoolhouse stages, and the crowning glory of the Grand Ole Opry to the present-day culture-buzz of viral videos and digital streams, Del is the living link. On primetime and late-night television talk shows, there is Del. From headlining sold-out concerts to music festivals of all genres, including one carrying his namesake, there is Del. Where audiences number in the tens of thousands, and admirers as diverse as country-rock icon Steve Earle and jamband royalty Phish count as two among hundreds, there is Del. Now helming the Del McCoury Band, with sons Ronnie and Rob, the ensemble did and continues to represent in a larger, growing musical community a peerless torchbearer for the entire sweep and scope of bluegrass history. Those many years, not to mention a good-natured willingness to stay alert to the latest sounds and opportunities around him, earned McCoury a whole new generation of fans, including some in unlikely places. “I’m just doing what’s natural,” says Del. “When young musicians ask me what they should do I always tell them, ‘You do whatever’s inside of you. Do what you do best.’” No surprise that contemporary, bluegrass-bred stars sang his praises; marquee names like Vince Gill and Alison Krauss (who first met Del at a bluegrass festival when she subbed for his missing fiddler). Yet, here too was rocker Earle recording and touring with the group. Here was Phish jamming onstage with the boys. Here was the band on TV, or headlining rock clubs and college campuses; the can’t-miss appearances at country and jazz festivals. There was Del. “We don’t have a setlist,” says Del. “We try and work in the new songs, but a lot of times it’s just requests from the audience. It’s more interesting for the band, for me, and for the audience because nobody knows what’s coming next.” Almost unimaginable, McCoury’s sixth decade in a half-century of bluegrass bliss brings new triumphs, new collaborations, and new music. With but a single change in membership in twenty seven years The Del McCoury Band shows unprecedented stability as well as garnering the respect and admiration of the industry for its unmistakable work: nine IBMA Entertainer of the Year trophies; in 2003, Del’s awarded membership in the cast of the legendary Grand Ole Opry; the band’s first Best Bluegrass Album Grammy award, in ’05, followed by a second Grammy win in 2014, (not to mention double-digit nominations). “I know (having the same band) helped with my success. It keeps your sound constant,” says Del. “We really enjoy what we’re doing.” One listen and it’s clear as crystal. There is Del.
NIGHT RANGER Heavy hitting rock legends, Night Ranger recently released their 12th studio album, “ATBPO” (which stands for And The Band Played On), an ode to making music during the covid era. The band began writing the album in early 2020, amid the rise of the global pandemic. After narrowing down the song selection and tightening them up to their well-known rock ‘n roll sound, the band hit the studio, although separately, due to the times we are in. Throughout ATBPO we hear Night Ranger continuing their hot streak that kicked off with 2011’s “Somewhere In California”. Ten years on, and two highly acclaimed albums later, “High Road” and “Don’t Let Up”, the band’s latest studio work shows them still burning with that high octane hard rock energy. Night Ranger has always had a knack for killer melodies, intricate instrumentation, and captivating lyrics; ATBPO delivers all of that and more. Having sold over 17 Million albums worldwide, performed across more than4000 stages, and captivated a radio audience that exceeds 1 Billion, Night Ranger has both epitomized and transcended the arena rock sound and style well beyond that era. With multiple songs having a significant impact on popular culture, Night Ranger continue to grow their ever-evolving fan-base. The band is proof that powerful songs alongside, incredibly talented musicians is the perfect formula for continued success. Night Ranger have earned wide spread recognition that includes both multi-platinum and gold album status all while leaving their indelible mark on the music industry with along list of best-selling albums (Dawn Patrol, Midnight Madness, 7 Wishes, Big Life and Man In Motion). Their popularity is fueled by an impressive number of instantly recognizable hit singles and signature album tracks, including legendary titles such as “Sister Christian”, “Don’t Tell Me You Love Me”, “When You Close Your Eyes”, the an the mic” (You Can Still) Rock In America”, along with “Sentimental Street”, “Goodbye”, “Sing Me Away”, and “Four in the Morning”. Over the years, the band’s music has made notable contributions to and been featured in many different areas of global media and pop culture. Night Ranger was one of the first big “video” bands on MTV, with over ten #1 hit videos. Their songs can be heard in TV Shows like,The Unbreakable Kimmy Schmidt, American Dad, Glee, Grey’s Anatomy, Parks & Recreation. The band have also had music featured in video games such as,Rock Band,Guitar Hero and Grand Theft Auto, plus hit Broadway musicalRock of Ages, the Oscar-Nominated film Boogie Nights, and other feature films such as Friday the 13th, Teachers, Sixteen Candles, and The Secret of My Success. Most recently the band’s classic hit “Sister Christian” can be heard in a Dr. Pepper commercial. They can also be heard throughout JBL’s “Hear The Truth” brand campaign. Night Ranger is Jack Blades (bass, vocals), Kelly Keagy (drums, vocals), Brad Gillis (lead & rhythm guitars), Eric Levy (keyboards) and Keri Kelli (lead & rhythm guitars).
GIRL NAMED TOM – WINNER OF THE VOICESmall-town sibling trio Girl Named Tom seeks to create harmony in a world divided. With their distinctive harmonies and heartfelt performances, Bekah, Joshua and Caleb Liechty won the hearts of America while becoming the only group to ever win NBC’s “The Voice.” In addition to their chart-topping covers (“River,” “The Chain,” & “Dust in the Wind” among others), GNT writes original music that will almost certainly project them to becoming the best-known harmony trio of their generation. With their debut EP, “Another World,” Girl Named Tom sweeps the listener into reflective space, exploring fond memories, global issues, and intimate conversations. Audiences have been “…blown away by the musicality and harmonies, creativity, honesty, beauty. This sibling trio is stardust.” Crazy World exhibits “crystal clear lead vocals, driving (and unique) percussion, and after 3 minutes build up an amazing section of their 3 voices intermeshing together.” Based in the Midwest, Girl Named Tom performed all over the country during the band’s first year before the pandemic struck. Now, after winning The Voice, they cannot wait to hit the road and visit new fans!
Legendary band, THREE DOG NIGHT, now in its 5th decade, claims some of the most astonishing statistics in popular music. In the years 1969 through 1974, no other group achieved more top 10 hits, moved more records or sold more concert tickets than THREE DOG NIGHT. This Grammy-nominated band is not content resting on its legacy alone. Always working to expand its audience, THREE DOG NIGHT has embraced and been embraced by 21st century music technology. New and existing fans buy THREE DOG NIGHT’s music on iTunes as well as at record stores. In fact, releases from this decade alone have sold well over a million copies. THREE DOG NIGHT also pushed boundaries by recording with the London Symphony Orchestra, giving fans new and old a chance to experience its dynamic performances of the hits as well as several new songs. The project, recorded at the famous Abbey Road studios in London and released to coincide with the band’s 35th Anniversary, added exciting new orchestral arrangements to THREE DOG NIGHT’s signature sound. THREE DOG NIGHT maintains an aggressive, year-round touring schedule of over 90 dates a year, performing their hit filled concerts for generation-spanning audiences. The band’s now-famous name refers to native Australian hunters in the outback who huddled with their dogs for warmth on cold nights; the coldest being a “three dog night”. Boasting chart and sales records that are virtually unmatched in popular music, THREE DOG NIGHT had 21 consecutive Top 40 hits, including 3 #1 singles, 11 Top 10’s, 18 straight Top 20’s, 7 million-selling singles and 12 straight RIAA Certified Gold LPs. The hits appeared on best selling charts in all genres (pop, rock and country). Its records continue to sell around the world, reaching beyond the borders of the U.S. into Japan, Canada, Holland, England, Germany, Spain and elsewhere. Tens of millions of THREE DOG NIGHT records have been sold through the years. Created in 1968 by Danny Hutton, THREE DOG NIGHT recorded the music of the best (and mostly undiscovered) new songwriters of their time including Harry Nilsson, Randy Newman, Elton John, Laura Nyro, Paul Williams and Hoyt Axton among many others. The group’s eclectic taste, combined with their ability to recognize and record hits in a unique, distinctive and appealing style, resulted in THREE DOG NIGHT dominating the charts for years. Marking over 50 years on the road, THREE DOG NIGHT continues to grow its fan base by keeping up a full schedule of concerts at theatres, performing arts centers, fairs, festivals, corporate events, and casinos. Since 1986, the band has performed over 2,500 shows including two Super Bowls. THREE DOG NIGHT’s 21 Top 40 Hits: Mama Told Me (Not To Come) #1 Joy to The World #1Black And White #1Shambala Easy To Be Hard An Old Fashioned Love Song The Show Must Go OnOne Never Been To Spain LiarEli’s ComingThe Family Of Man Celebrate Out In The Country Sure As I’m Sittin’ HereLet Me Serenade YouOne Man BandPieces Of AprilTry A Little TendernessTil The World EndsPlay Something Sweet (Brickyard Blues)
LonestarNot every musician has the opportunity to revisit and even potentially improve upon their biggest hits. But on the forthcoming TEN to 1 record, the award-winning band Lonestar— Dean Sams (keyboards, acoustic guitar, background vocals), Michael Britt (lead guitarist, background vocals), Keech Rainwater (drums) and Drew Womack (lead vocals, guitar)—are taking a fresh look at all 10 of their chart-topping country songs.This streak started in 1996 with the band’s second single, the rock-edged “No News,” and continued with the following year’s “Come Cryin’ to Me” and “Everything’s Changed.” The band’s quadruple-platinum 1999 album Lonely Grill spawned four No. 1 hits (including the beloved global smash “Amazed”) and established Lonestar as music’s preeminent pop-country band—a status they’d maintain through the 2000s and beyond.With these re-recordings, the band members were mindful of striking a balance between preserving the sonic elements fans were familiar with—and not repeating them. Fittingly, TEN to 1 record reflects the ways Lonestar’s hits have evolved over the years during the band’s rousing, high-energy concerts. Such talent has contributed to the band winning many of music’s top honors, including Academy Of Country Music awards for New Vocal Group in 1996, Single and Song Of The Year in 2000, along with Humanitarian Of The Year in 2002. They also won Country Music Association’s Vocal Group of the Year and International Artist Achievement award in 2001. All told, Lonestar have sold more than 10.5 million records since their formation.With the release of TEN to 1 record, the band members are full of gratitude for what they’ve accomplished already, and excited about what the future holds. “It’s amazing that we’re still standing and putting on great shows after all these years,” Sams says. “The fans are still coming out to our shows night after night, to see us and hear our music. That’s almost 30 years of touring, and I can’t tell you how grateful I am—and I’ve never once taken it for granted.”Deana CarterDrenched in sun-kissed natural beauty both inside and out, Nashville native, Deana Carter, didn’t take a seemingly easy route to stardom, but instead chose to defy the conventional expectations of the typical Nashville artist blueprint and make her own mark. And she did, undeniably taking the industry and fans by storm with her wildly successful multi-platinum international debut “Did I Shave My Legs For This?” more two decades ago. Anchored by the dreamy super hit ”Strawberry Wine”, Carter showcased her own blend of country and retrorock sprinkled with the folksy singer/songwriter qualities that have garnered Deana Carter well-deserved respect and wild acclaim.
JOHN ANDERSON (An evening with)Straight Tequila Night, the lead-off single from Seminole Wind, went to number one across the board on every country chart. It was his first bona-fide chart-topper since Black Sheep in 1983. When It Comes To You, the second single, reached number two, while Seminole Wind, the heartfelt title tune soared to number one when released later in 1992. Jay Orr, a noted music writer for the Nashville Banner, was one of several critics to list Seminole Wind in a top-ten album round-up for 1992. Seminole Wind is a vivid personal statement which Anderson wrote after visiting his 95-year old grandmother, and after driving around Florida observing the drastic ecological changes that time and progress wrought on his native state. Its accompanying video was shot at a cypress preserve in the Florida Everglades with assistance and participation of the region’s native Seminole Indians. Those of us who’ve followed the vicissitudes of Anderson’s recording career aren’t particularly surprised at his “rediscovery” in the wake of Seminole Wind. This is, after all, the vocal genius who won the Country Music Association’s 1983 Horizon Award and helped lay the cornerstone for the late 1980’s neo-traditionalist boom with his aforementioned early ’80’s stone-country hits. Those hits which showcased Anderson’s arresting, instantly recognizable vocal style; a provocative mixture of honky tonk fervor, rockabilly/outlaw gusto, sly, tongue-in-cheek humor, and just a hint of rock n’ roll swagger. The Anderson we hear today is merely the new and slightly mellowed adult version of the stylistically headstrong, fiercely determined 17-year old who hit Nashville running in 1972. He clawed his way up the ladder one rung at a time, from $5-a-night gigs in the honky tonk closets of lower Broadway and a day job tacking shingles on the new Grand Old Opry house at Opryland. John followed Seminole Wind with five more critically acclaimed albums, spawning hits like, Money In The Bank, I’ve Got It Made, I Wish I Could Have Been There, Let Go Of The Stone, Bend It ‘Til It Breaks, Mississippi Moon and Somebody Slap Me. John Anderson… a colorful character and truly a country music treasure!Rye Davis
The Steel WoodsThe band, comprised of Wes Bayliss (guitar and vocals), Johnny Stanton (bassist), Isaac Senty (drums) and Tyler Powers (guitar), will perform fan favorites and songs from their three studio albums. All of their albums are self-produced and released on their own label, Woods Music.The Steel Woods’ latest album, All of Your Stones, is the third offering from one of the fastest rising bands in the worlds of independent country and Southern rock. Since releasing their debut Straw in the Wind album in 2017, The Steel Woods have staked their claim as worthy successors of Southern rock icons Lynyrd Skynyrd, with a dynamic live show and a songwriting verve that draws inspiration from country icons like Willie Nelson.After Tragedy In January 2021, band co-founder, guitarist and principal creative force Jason “Rowdy” Cope, passed away from what is thought to be complications of diabetes. This tragedy sent shockwaves through Cope’s friends, family, and the music community at large. The songs that make up All of Your Stones now sound eerily prescient given Cope’s passing. Most of the tunes came from the creative pen and guitar of Rowdy, but even the ones contributed by Bayliss (“Ole Pal”) and guest songwriter Ross Newell have taken on a special poignancy. The Music ContinuesThe Steel Woods continue to tour, having shared the stage with Whiskey Myers, Cody Jinks, Cody Johnson, and Blackberry Smoke, among others. Between shows, they are at work on their next studio album.Red Shahan Let’s keep the lonely places, lonely as long as we can …” As career trajectories are measured, Red Shahan has covered a hell of a lot of ground in the years since the release of his debut, Men and Coyotes — not to mention since his salad days a decade ago, when he began haunting the Lubbock club circuit and made the fateful decision that music would be his life’s path rather than baseball, rodeo, or firefighting. After a few more formative years of honing his chops and confidence as a songwriter, singer, and versatile musician in different projects throughout the region, he relocated to Fort Worth and began focusing in earnest on launching a solo career and recording the album that would serve as his official introduction to the Texas music world at large. Men and Coyotes was originally released in the summer of 2015 with little fanfare, but the red-headed troubadour with the lonesome howl and penchant for somber portraits of busted boom towns and gritty, white-knuckled anthems wasn’t long in hitting his stride and building a loyal audience the old-fashioned way: organically, from the ground up.Eight Daze SoberEight Daze Sober, based out of London, KY, has a fantastic lineup of covers from all genres and decades that they effortlessly transform into their own musical style whilst mixing in their own original material as well. The band has the most magnetic harmonizing vocals that they expertly combine with banjo, acoustic guitar, electric guitar, bass, harmonica and percussion into their music for a Kentucky Roots Country/Folk sound like no other!
Have you ever seen Conway Twitty and Loretta Lynn in concert? Have you felt the Grammy Award winning songs pulse through your body singing chills from the top of your head to the bottom of your tapping along feet!? You do not wanna miss this event! Watch as the Next Generation deliver their iconic grandparents’ pure Country music along with attached, intriguing stories. Tayla is Loretta Lynn’s granddaughter, and she is whimsical & fantastic singing her Memaw’s Grammy winning songs, telling touching & many times, comical stories of what it was like on tour with Memaw. We find out how thousands of miles, city after city, show after show on that ‘Loretta Lynn bus’, how Memaw took a pencil to that yellow pad and filled the pages with lyrics that flowed from her heart and soul. Now, those very same songs are delivered by her granddaughter, Tayla, with her Memaw’s blessing and we can hear and see why. Tre is Conway Twitty’s grandson and on stage makes us feel as tho his “Poppy” is back with us. Tre has the same relaxed, smooth delivery as his grandfather and surprises us with a song that allows an audience participation that is memorable. Their tribute is a lovely, heartfelt & first class performance depicting their respect and love for their legendary grandparents with grace and style. Purchase those tickets NOW, don’t miss this memorable show! You will have a MAGICAL EVENING singin’ down memory lane with “Twitty and Lynn”The Jenkins Twins(aka Trevor and Trenton Jenkins) have worked for years to craft a sound that seats them squarely on the cutting edge of modern country, pioneering a sort of cosmic Americana that nods to contemporary indie without turning their nose up to golden-age pioneers like The Everly Brothers and Roy Orbison.
Ronnie MilsapBorn blind (his family thought it was retribution for sin), Ronnie Milsap’s grandparents gave the boy over to the North Carolina State School for the Blind hoping for a better chance. There, Milsap discovered music – deviating from the school’s classical curriculum to explore the nascent realms of race music, rock & roll and jazz. Being the brilliant kid he was, it wasn’t long until he’d found his way into the local clubs and the tiny indie labels.Suddenly, he was sharing bills with Ray Charles (who took the Ashford & Simpson-penned B-side to Milsap’s Scepter single “Never Had It So Good” and scored his own hit with “Let’s Go Get Stoned”), and James Brown on a circuit that included the Howard Theater, the Royal Peacock, and more. It was Ray Charles who told the young pianist when he was offered a scholarship to Young Harris College’s law program, “Son, I can hear the music inside you…” It settled Milsap’s fate. Living in Atlanta, playing clubs and doing sessions the future Country Music Hall of Famer caught wind that JJ Cale was looking for a keyboard player. Cale hired him. Ronnie went on to work at the Whiskey for a good while. From Atlanta, Ronnie moved to Memphis where he was doing sessions with Chips Moman, where Elvis famously commanded, “More thunder on the keys, Milsap,” during the recording of “Kentucky Rain.” It was there he was asked to play the Whiskey on the famed Sunset Strip in LA. While staying at the notorious Hyatt House, Charley Pride, a famous man in country music, saw the white kid playing rock & soul and suggested giving Nashville a try. Forty #1s. Five decades of charted singles. Creating a new way of recording (being blind his hyper-attuned hearing led him to create/build what is now known as Ronnie’s Place, where the new album, the Duets, was captured), he broke genre rules and became one of the biggest pop/AC and even R&B artists of the late ‘70s and early ‘80s.Six Grammys. CMA Entertainer of the Year and four Album of the Year Awards. The first country video played on MTV (the ironic “She Loves My Car”). An early champion of NFL star Mike Reid, who wrote many of Ronnie’s #1 hits and who’d go on to write Bonnie Raitt’s second most enduring classic “I Can’t Make You Love Me.” Always chasing the music, always hungry for the songs, he is now an inspiration for a new generation of country stars from critical standard setters Kacey Musgraves and Little Big Town to CMA/ACM Entertainers of the Year Luke Bryan and Jason Aldean, as well as a standard-setter for friends like Dolly Parton, George Strait, Willie Nelson and even groundbreakers Leon Russell and Billy Gibbons. In a world of marketing match-ups, the Duets is an homage to blurring lines, great songwriting and vocals that celebrate soul over product – something rare in today’s flashcard jingle country. But just as importantly, Ronnie Milsap is a testament to going where you don’t belong with an open heart and a true sense of music as compass. A rebel blind boy often at odds at school for following the music in his heart, that music took him to places white people didn’t go… brought him a wife who would be not just a steadfast companion, but a fellow traveller in the songs (they’re still together!!)… give him stages from the chitlin circuit, soul clubs, rock rooms to the biggest arenas, “Solid Gold,” the White House and beyond.